Download Curriculum Vitae

SOLO EXHIBITIONS

• 2023 (Forthcoming) Voids, Office Space, Burbank, California
• 2022 Monument Plinth, Saint Louis Artist’s Guild Curated Gallery, St. Louis, Missouri
• 2021 Redacted Landscapes, Sheldon Art Galleries, St. Louis, Missouri
• 2021 Control Room, University of Notre Dame, Notre Dame, Indiana
• 2021 Crystal Balls for Our Shared Future, Office Space, Salt Lake City, Utah
• 2020 The Light at the End of History, River Campus Gallery, Southeast Missouri State University, Cape Girardeau, Missouri
• 2019 Big Pharma, Weitman Gallery, Washington University, St. Louis, Missouri
• 2016 Evocative Objects, CFA Downtown Studio, Albuquerque, New Mexico
• 2015 City of The Nuclear Renaissance, Chandler Building, Zebulon, Georgia
• 2015 Control Room, Central Features, Albuquerque, New Mexico
• 2014 Transuranic, John Sommers Gallery, Albuquerque, New Mexico
• 2012 Scars On The Landscape, Büro Für Bestimmte Dinge, Berlin, Germany
• 2006 Cabaret Voltage, Urban Lounge, Salt Lake City, Utah
  

MONOGRAPH

• 2021 Abbey Hepner, The Light at the End of History: Reacting to Nuclear Impact (Durham, North Carolina: Daylight Books, 2021), 164 pages

SMALL GROUP & CURATED EXHIBITIONS

• 2022
• Earth Works Exhibition at Webster University’s Cecille R. Hunt Gallery, Webster Groves, Missouri
• Abbey Hepner and Albert Abdul-Barr Wang, A New Nothing, anewnothing.com
• 2021
• Four Sight, Paradice Palase, Brooklyn, New York (four-person group exhibition)
• 2020
• Pingyao International Photography Festival, Pingyao, China (invited)
• PM2, Framations Gallery, St. Charles, Missouri
• Trinity: Reflections on the Bomb, The Albuquerque Museum, Albuquerque, New Mexico (invitational)
• Yuma Symposium Exhibition, Yuma Art Center, Yuma, Arizona
• 2019 
• Living Mountains, Lianzhou Foto Festival, Lianzhou, China, curated by Natasha Egan, Executive Director of the Museum of Contemporary Photography in Chicago, Illinois (invitational)
• Artists in Conversation, Southern Illinois University Edwardsville Art Gallery, Edwardsville, Illinois        
• Hot Spots Radioactivity and the Landscape, Krannert Art Museum, Champaign, Illinois (invitational)
• Time, UCCS Faculty Exhibition, Galleries of Contemporary Art, Colorado Springs, Colorado2018 
• Hot Spots: Radioactivity and the Landscape, University of Buffalo Art Museum, Buffalo, New York (invitational)
• 2017 
• History/ Her Story, Warehouse 1-10, Magdalena, New Mexico (invitational)
• Extra-Ordinary Collusion: Art and Science Collaborations, San Diego Art Institute, San Diego, California (invitational)
• History/ Her Story, David Richard Gallery, Santa Fe, New Mexico. Selected by The New Mexico Committee of the National Museum of Women in the Arts (invitational) (catalog)
• Between The Medium, RedLine Contemporary Art Center, Denver, Colorado (invitational)
• 2016 
• New Horizon, UCCS Faculty Exhibition, Galleries of Contemporary Art, Colorado Springs, Colorado
• Reactive Matters, Newspace Center for Photography, Portland, Oregon (invitational) (three person exhibition)
• 2015 
• Tanto Tempo 8, Tanto Tempo Gallery, Kobe, Japan (invitational)        
• SITE Scholars Exhibition, SITE Santa Fe, Santa Fe, New Mexico
• Caretaker Robots in the Mt. Rokko International Photo Festival, Mt. Rokko Kobe, Japan (invitational) (catalog)
• Is Your Computer Infected?, ARTS Lab, Albuquerque, New Mexico
  

FESTIVAL/ PUBLIC INSTALLATIONS

• 2018 
• Conjured Futures, Center at the Interplanetary Festival, Santa Fe, New Mexico (juried)
• Atomic Traces, 14×18 Billboard Project, New York City, New York (invitational)
• 2015
• Nuclear Illuminations, the Paseo Taos Arts Festival, Taos, New Mexico
• Energy Illuminations, 516 ARTS Block Party, Habitat Exploring Climate Change, Albuquerque, NM
• 2016
• Scars on the Landscape, outdoor video projection for Arts Unexpected, School of Architecture and Planning, Albuquerque, New Mexico
• 2014
• Pace of Life, Wearable Art Performance, University of New Mexico, Albuquerque, New Mexico
• 2013
• Nuclear Mascot, Public Art Intervention, Shibuya Crossing, Tokyo, Japan

GROUP EXHIBITIONS

• 2022
• (Forthcoming) Internal Dialogue, The Gallery Upstairs, Orleans, Massachusetts
• (Forthcoming) Poolside, Jag Gallery, Key West, Florida
• July Group Art Show, Jones Gallery, Kansas City, Missouri
• ASG 12th Anniversary Exhibition, A Smith Gallery, Johnson City, Texas
• 2021 
• (Forthcoming) Internal Dialogue, The Gallery Upstairs, Orleans, Massachusetts
• Cancer, Gallerium Art, Biafarin Online Exhibition, www.gallerium.art/p/cancer-2021.html
• World Cyanotype Day, The Healing Arts Center, New Orleans, Louisianna
• Four Sight, Paradice Palase, Brooklyn, New York (four-person group exhibition)
• Four Sight, Office Space, Salt Lake City, Utah (four-person group exhibition)
• 2020 
• Seeing 2020 Photography Under Quarantine, published group exhibition, juried by Ann Pallesen (print)
• Unbound 9, Candela Gallery, Richmond, Virginia, juried by Gordon Stettinius  
• Internal Dialogue, One Twelve Publishing, online, juried by Michael Kirchoff and Fran Forman
• Context 2020, Filter Space, Chicago, Illinois, juried by Eve Schillo, Assistant Curator of the Wallis Annenberg Photography Department, Los Angeles County Museum of Art  
• Trust the Story, Baldwin Gallery, Middle Tennessee State University, Murfreesboro, Tennessee, juror: Melanie McWhorter (juried)     
• Midwest Midwinter Exhibition, Minneapolis College of Art and Design, Minneapolis, Minnesota (invitational)
• 2019
• Defining Home, Woody Gaddis Gallery, University of Central Oklahoma, Edmond, Oklahoma (juried)        
• Art St. Louis XXXV, The Exhibition, Art St. Louis, St. Louis, Missouri (juried)
• World Cyanotype Day, A Smith Gallery, Johnson City, Texas & the Healing Arts Center, New Orleans, Louisiana        
• PARA Beyond Normal, Spectro Art Space, Harrisburg, Virginia (juried)
• Pop Up Exhibition, Society for Photographic Education Southwest/West Chapter Conference, University of Santa Clara, Santa Clara, California
• MWSPE Members Exhibition, Brooks Stevens Gallery, Milwaukee Institute of Art & Design, Milwaukee, Wisconsin (juried)        
• The Disappearance of Nature, Silverwood Park, Saint Anthony, MN (juried)        
• Photography at the Emerald, Emerald Art Center, Springfield, Oregon (juried)       
• The Big Picture, Month of Photography Outdoor Installation, Denver, Colorado (juried)
• Art and Science, A Smith Gallery, Johnson City, Texas (juried) (catalog, juror’s award)        
• Small Works, Robert Anderson Gallery, Denver, Colorado (juried) (honorable mention)
• Society for Photographic Education Combined Caucus Exhibition, Cleveland Convention Gallery, Cleveland, Ohio (juried) (catalog)        
• Quietly Powerful, Sense Gallery, Washington DC (juried)
• Lens 2019, Perspective Gallery, Evanston, Illinois, juried by Natasha Egan (juried) (juror’s award)
• 2018 
• Artists in Action Exhibition, Manitou Arts Center Haugner Gallery, Manitou Springs, CO (juried) (catalog)        
• Art and Technology, Colorado Fine Arts Center, Colorado Springs, Colorado (invitational)        
• Fraction 30 from 10, Pushdot Studio, Portland, Oregon (juried)        
• CEPA Gallery’s 14th Biennial Art Auction, Buffalo, New York (invitational) (catalog)        
• SPE Combined International Caucus Exhibition, Hamilton & Arronson Galleries, University of the Arts,        
• Philadelphia, Pennsylvania, Juried by Anthony Goicolea (juried) (catalog)
• Being Set Free, A Smith Gallery, Johnson City, Texas (juried) (catalog)
• 2017
• Optogenetic Cybernetic Translations, for Nucleus- Imagining Science, Noorderlicht Photo Festival, Groningen, Netherlands (juried) (catalog)
• Pikes Peak Member’s Show, Plaza of the Rockies, Colorado Springs, Colorado (juried)
• Optogenetic Cybernetic Translations in Tahoe CoLab, McNamara Gallery, University of Nevada, Reno (juried)        
• Thread Count, A Der Greif Project, Unseen Amsterdam, Amsterdam, Netherlands (invitational)
• Tahoe CoLab Exhibition, Granlibakken Resort, Tahoe City, California, Juried by Liz Allen and Hamidah Glasgow (juried) (catalog)
• Annual Member’s Show, Colorado Photographic Arts Center, Denver, Colorado, Juried by Rebecca Robertson (juried) (catalog)
• Environmental Photography Exhibition, Colorado Environmental Film Festival, American Mountaineering Center, Golden, Colorado (juried) (best in show)        
• The Big Picture, Month of Photography Outdoor Installation, Denver, Colorado (juried)        
• SPE Combined Caucus Exhibition, Hilton Orlando, Orlando, Florida, Juried by Renee Cox (juried) (catalog)
• 2016 
• Southern California/Baja Biennial, San Diego Art Institute, San Diego, California (juried)        
• Impending Future, Lycoming College Art Gallery, Williamsport, Pennsylvania (juried)        
• Size Matters, Low Gallery, San Diego, California, Juried by Allie Haeusslein (juried)        
• Connect, The Woody Gaddis Gallery, University of Central Oklahoma, Edmonds, Oklahoma (juried)        
• SPE Combined Caucus Exhibition, Living Arts, Tulsa, Oklahoma (juried) (catalog)        
• Follicle, Graft Gallery, Albuquerque, New Mexico (juried)SPE Combined Caucus Exhibition, Red Rock Resort, Las Vegas, Nevada, Juried by Aline Smithson (juried) (catalog)
• What Is There That We Cannot See?, University of New Mexico Art Museum, Albuquerque, New Mexico, Juried by Courtney Fink (juried) (catalog)
• 2015 
• Atomic STEaM Photography Show, National Museum of Nuclear Science and History, Albuquerque, New Mexico (juried)        
• Women As Witness, TI Art Studios, Brooklyn, New York (juried)Immigration, Migration, and Evolving Boundaries for CENTER, Marion Center, Santa Fe University of Art and Design, Santa Fe, New Mexico (juried)
• Connectivity, University of New Mexico Art Museum, Albuquerque, New Mexico, Juried by James Ballinger, Director of the Phoenix Art Museum (juried) (catalog)
• Joyce Elaine Grant Exhibition, Texas Women’s University, Denton, Texas, Juried by April Watson (juried) (catalog)
• 2014 
• Nuclear Mascot and Scars on the Landscape, for Social Justice: Remote Response, Harwood Art Center, Albuquerque, New Mexico (juried)     
• Breakthroughs, University of New Mexico Art Museum, Albuquerque, New Mexico, Juried by Miranda Lash (juried) (catalog)2013 
• Dissociative: Pushing Against the Norm, Witchita State University Shift Space Gallery, Wichita, Kansas (juried)        
• Fusion, International Encaustic Artists Juried Exhibition, Eggman & Walrus, Santa Fe, NM (juried) (catalog)        
• Four Corners, Colorado Photographic Arts Center, Denver, Colorado (juried)        
• At First Sight, AC2 Gallery, Albuquerque, New Mexico
• 2012 
• Elevated Research, Anderson Ranch Arts Center, Snowmass Village, Colorado        
• Shifts in Horizon, Headlands Center For The Arts, Sausalito, California
• 2011
• TBI Art Show, UW Tower, Seattle, Washington        
• TBI Art Show, Museum of History and Industry, Seattle, Washington (juried)
• 2010
• Recreating Me, Burke Museum of Natural History and Culture, Seattle, Washington (juried)
• 2008 
• BFA Senior Show, Contemporary Design and Art Gallery, Salt Lake City, Utah        
• Annual Student Show Juried Group Exhibition, Alvin Gittins Gallery, Salt Lake City, Utah        
• Equinox, Gallery UAF, Salt Lake City, Utah
• 2007 
• December Gallery Show, Women’s Art Center, Salt Lake City, Utah        
• Holiday Show, Alvin Gittins Gallery, Salt Lake City, Utah        
• Holga Exhibition, Saans Gallery, Salt Lake City, Utah (juried) (book)        
• Utah Art Student Exhibition Meyer Gallery, Park City, Utah (juried) (honorable mention)        
• Utah Arts Council Annual Statewide Exhibition, Rio Gallery, Salt Lake City, Utah (juried) (catalog)        
• Annual Student Show Juried Group Exhibition, Alvin Gittins Gallery, Salt Lake City, Utah        
• Evening of Electronic Music Group Show, sound performance, University of Utah, Salt Lake City, Utah        
• Performance: New Music, sound performance, University of Utah New Media Wing, Salt Lake City, Utah
• 2006
• Art of Polaroid Transfers, Newspace Center for Photography, Portland, Oregon     

COLLABORATIVE PROJECTS

• 2019 
• Big Pharma, collaboration with Economist Dr. Alicia Plemmons
• 2017 
• Optogenetic Cybernetic Translations, a 9-month research project with neuroscientist Mike Avery from the Salk Institute for Biology at UCSD
• 2016 
• To Bind or To Liberate, pewter sculpture created with sculptor Leslie Martin
• Energy Illuminations and Nuclear Illuminations, collaboration with software developer and programmer Jason Hullinger
• Breathe, collaborative video project with artist Jake Rogers

PERMANENT COLLECTIONS

• Candela Gallery, Richmond, Virginia

GALLERY REPRESENTATION

• Office Space Gallery, Salt Lake City, Utah

SELECTED BIBLIOGRAPHY

• 2021  
• River Bender, “SIUE’s Hepner Publishes Book Showcasing the Complexity of Nuclear Impact,” Oct. 27th, www.riverbender.com
• Kimberly Sletten, “SIUE’s Hepner Publishes Book Showcasing the Complexity of Nuclear Impact,” Oct. 26, Southern Illinois University News, www.siue.edu/news
• Kevin Leonard, WSIE 88.7 FM Radio, Segue, live interview, Edwardsville, Illinois, aired on Oct. 10th
• Amanda Cooper, “SIUE’s Hepner Describes Passion for Photography,” Weekender, Oct. 9-11, The Intelligencer, pp B1-B2 (print)
• SIUE, “Visualizing Research Impacts,” Southern Illinois University Edwardsville Graduate School Research and Creative Activities Magazine Fall 2021, pp. 26 (print)
• Thomas Shulz, “Abbey Hepner The Light at the End of History,” Sep. 18, www.bildersturm.blog
• Sarah Kanouse and Shiloh Krupar, Ed, A People’s Atlas of Nuclear Colorado, digital public humanities project, launched September 1, www.coloradonuclearatlas.org
• All About Photo, “The Light At The End Of History by Abbey Hepner,” Aug. 10, www.all-about- photo.com
• Gerhard Clausing, “Abbey Hepner—The Light at the End of History: Reacting to Nuclear Impact,” Photo Book Journal, Aug. 10, https://www.photobookjournal.com
• Art Daily, “Daylight Publishes ‘The Light at the End of History’ by Abbey Hepner,” July 31, www.artdaily.com
• Brennan Booker and Amanda Musick, Seeing 2020 Photography Under Quarantine, Fraction Magazine, Feb 10, fractionmagazine.com
• 2020  
• Julie Rae Powers, Ed., Soft Lighting Volume 2: Connection, Soft Lightning, Dec. 1, Brooklyn, New York. Juried by Rashod Taylor (print)
• “An Artistic Immersion,” Yuma Sun, Feb. 14, Yumasun.com
• Rachael Long, “‘The Light at the End of History’ Explores Nuclear Technology, History in Photographs    at River Campus Art Gallery,” Southeast Missouri State University News, Sept. 29, news.semo.edu
• Robin Fultz, “Photos Do the Talking in Photo Conversation Project,” Southern Illinois University   Edwardsville College of Arts and Sciences News, http://www.siue.edu/artsandsciences, Feb. 25
• “An Artistic Immersion,” Yuma Sun, Feb. 14, Yumasun.com
• 2019  
• Jodi Heckel, “Artists Consider Nuclear Industry’s Legacy in Krannert Art Museum Exhibition,” Illinois News Bureau, Oct. 10, https://news.illinois.edu
• Bree Lamb, “Photographers on Photographers: Bree Lamb and Abbey Hepner,” Lenscratch, Aug. 19, lenscratch.com
• Modella Art Gallery, Collective Voices at Modella Art Gallery, Visit Stillwater OK, March 25, visitstillwaterok.org
• Linda Alterwitz, “Art + Science, The Exhibition,” Lenscratch, March 14, lenscratch.com
• 2018 
• Allison Meier, “Artists Confront the Radioactive Landscapes of the United States.” Hyperallergic, Oct. 9, hyperallergic.com.
• Robert Hirsch and Greg Erf, Light and Lens: Photography in the Digital Age, 3^rd edition, Routledge, New York, 2018. (textbook)
• New Pictorialists, YourDailyPhotograph.com, by Duncan Miller Gallery, Jan. 23, Guest Curators: Shana Nys Dambrot and Osceola Refetoff
• Linda Alterwitz, “ART + SCIENCE: Women and Earth: Abbey Hepner,” Lenscratch, Feb. 12, www.lenscratch.com
• 2017 
• Mariana Vieira, “Abbey Hepner: The States Project,” Lenscratch, Dec. 23, www.lenscratch.com
• Joelcy Kay, “Human Daily Life + Robot,” Nov. 2, Edge of Humanity Magazine, www.edgeofhumanity.com
• Andrea Hammer, “History/Her Story at Warehouse 1-10,” Artsphoria Magazine, Aug. 28, artsphoria.com
• Kathryn M. Davis, History/Her Story Catalog Essay, New Mexico Women In The Arts, Santa Fe, NM (print)
• Ramin Skibba, “The Force of Fields,” San Diego Home/Garden Lifestyles Magazine, San Diego, CA. June 2017, p. 96-97 (print)
• Zora Murf, “Abbey Hepner”, Strange Fire Collective Interview, July 20, www.strangefirecollective.com
• Art Daily, “Exhibition Celebrates Emerging and Mid-Career…”, June 25^th, www.artdaily.com
• Emily Van Cleve, “Exploring Ethnicity, Identity, Land Use…”, Santa Fe Arts Journal, June 20, santafeartsjournal.com
• Coline Jourdan, “Toxicologie des territoires”, National School of Art and Design of Dijon, France, Thesis Publication, March 2017 (print)
• 2016 
• Anna Brody, “Abbey Hepner”, Aint-Bad Magazine, December 20, www.aint-bad.com
• Mike Pach, The Photo Show, KCMJ, Radio interview, Colorado Springs, Colorado, aired Dec. 1
• Bree Lamb (ed.), “Control Room”, Fraction Magazine, Issue 93, Dec. 1, www.fractionmagazine.com
•  Lycoming College, “Impending Future art exhibit premiers…”, November 15, www.lycoming.edu
• Jen Ervin and Ashley Kauschinger (jurors), Direct Positive/ Polaroids, Online Exhibition, published Nov. 10, www.LightLeaked.com
• Rachel Librach, “VAPA Celebrates National Arts…”, The Scribe, Colorado Springs, CO., Oct. 24, p. 4 (print)
• Megan Geuss, “Fukushima, Vieques, Rocky Flats: Radioactive photos tell nuclear stories”, Ars Technica, WIRED Media: Condé Nast, July 8^th, www.arstechnica.com
• Jennifer Rabin, “Nuclear Photographs (and Other Non-Radioactive Art)”, Wilamette Week, Portland, OR, May 31, www.wweek.com
• Karie Luidens, “Objets Nucléaire: The Art of Abbey Hepner”, ABQ Free Press, Apr. 20, Albuquerque, NM, p. 22 (print)
• 2015 
• Laura Addison, Ashley Kauschinger (ed.), “Abbey Hepner,” Light Leaked, Nov. 9, www.lightleaked.com
• Christopher Russel, “Portland Photo Month,” Artillery Magazine, Los Angeles, CA, September/October Issue p. 26-28 (print)
• Cody Hooks, “Unhangable Art at Paseo Hinges on Science,” The Taos News, October 1
• Jason Pfiefer, KNCE 93.5 Radio, live interview, Taos New Mexico, aired on September 23
• Kelly Tredwin, “Nuclear Energy Lights Up The Paseo,” LiveTaos.com, September 23         
• Susan Thom Loubet, KUNM Radio interview, Albuquerque, NM, aired September 19th
• Kristen Currie, “516 Arts Host Downtown Block Party,” KRQE News 13, Live Television Interview, Albuquerque, NM, aired Sept. 8
• Renee Chavez, “The Art of Saving a Planet,” Alibi, Albuquerque NM, Vol. 24, Issue 37, Sept., 2015 (print)
• 516 ARTS, Habitat: Exploring Climate Change Through The Arts, Fall 2015, p. 7, 13, 19-20 (print)
• Chris Curry, “Slow Exposures..” Kitchen Drawer Magazine, Griffin, Georgia, Vol. 7, Issue 5 (print)
• Grant County Beat, “The Paseo Returns with Sound and Light…”, Taos, New Mexico, July 14th
• Amy Wolf, “Radioactive Prints,” Photo District News (PDN), May 22, www.pdnoline.com
• Creative Live, Robot Caretakers Series Shown in the Art and Business of Conceptual Portraiture, June 29-30, www.creativelive.com
• 2014 
• Alyssa Coppelman, “Popular Locations Where People Scatter The Ashes Of Their Dearly Departed,” Feature Shoot Interview, Sept. 11^th, www.featureshoot.com
• SITE Santa Fe, Interview, December 17, Online Video, www.sitesantafe.org
• Ira Veles, “The Last Mile: Funeral Rituals in Abbey Hepner’s Project” Bird In Flight, Interview, Oct. 3, www.birdinflight.com
• Ира Велес, “Последний путь: Похоронный…” Bird In Flight Russian Interview, Sept. 19, www.birdinflight.com/ru/

PUBLICATION AS AUTHOR

• 2021
• Abbey Hepner, The Light at the End of History, Digital Stories, Daylight Books, June 1, daylightbooks.org
• 2020
• Abbey Hepner, 2020. “The Digital Anatomical Theater.” Presented at Why Sentience? The 26th International Symposium on Electronic Arts (ISEA 2020). Montreal, Canada: Printemps Numérique/ISEA International.
• 2019 
• Abbey Hepner, “Q&A Jami Porter Lara” Strange Fire Collective, December 20^th, strangefirecollective.com
• Abbey Hepner, “Q&A Jennifer Colten” Strange Fire Collective, July 18th, strangefirecollective.com
• 2018 
• Abbey Hepner, “In Process: Q&A with Banff Artists in Residence” Strange Fire Collective, Sept. 20, www.strangefirecollective.com
• Abbey Hepner, “Q&A Kristine Thompson” Strange Fire Collective, May 17^th, strangefirecollective.com
• Abbey Hepner, “Q&A Kei Ito” Strange Fire Collective, February 15, strangefirecollective.com
• 2017 
• Abbey Hepner, “Q&A Fatemeh Baigmoradi,” Strange Fire Collective, Dec. 21, strangefirecollective.com
• Abbey Hepner, “Insider/Outsider: Photographing The Other,” Strange Fire Collective, October 19, www.strangefirecollective.com
• 2013 
• Abbey Hepner, “Temporary Container,” Best Student Essays Magazine, University of New Mexico: vol.      25, no. 2, Fall 2013 p. 16-23 (print)

CONFERENCE/SYMPOSIUM PRESENTATIONS AND ARTIST TALKS

• 2022
• Artist Talk, St. Louis Artist Guild, St. Louis, Missouri
• Visiting Artist Presentation, East Carolina University
• Panel Presentation, 2022 Distinguished Scholar: Kirsten Pai Buick, College Art Association’s 110th Annual Conference, Chicago, Illinois
• 2021  
• Artist Talk: Sheldon Art Galleries, St. Louis, Missouri
• Artist Talk: Launch event for A People’s Atlas of Nuclear Colorado, sponsored by Georgetown’s Culture and Politics Program, the Georgetown Global Humanities Public
• Visiting Artist Presentation: Emory University, Atlanta, Georgia
• Virtual Book Launch for The Light at the End of History, hosted by Daylight Books, The Griffin Museum, Winchester, Massachusetts
• Artist Talk: Internal Dialogue, hosted by One Twelve Publishing and The Gallery Upstairs
• Visiting Artist Presentation: East Carolina University, Greenville, North Carolina
• Visiting Artist Presentation: University of New Mexico, Albuquerque, New Mexico
• Panel Moderator: Grad Night: Ranran Fan, Jesse Egner, Trent Bozeman, Society for Photographic Education 57^th Annual Conference (virtual)
• Visiting Artist Presentation: New Mexico State University, Las Cruces, New Mexico
• 2020 
• Artist Presentation: Digital Anatomical Theater, 26^th International Symposium on Electronic Arts: Sentience, Montreal, Canada      
• Naming the Space, SIUE Diversity Day, Southern Illinois University Edwardsville       
• Artist Talk: River Campus Gallery, Southeast Missouri State University, Cape Girardeau, Missouri      
• Visiting Artist Presentation, Artists NOW! Lecture Series, University of Wisconsin Milwaukee        
• Lecture/Artist Presentation: “Virtual Reality, An Empathy Machine?” The Society for Photographic Education 56^th Annual International Conference: 20/20 Vision, Houston, Texas        
• Artist Talk and Presentation: “The Digital Anatomical Theater: a VR Experience,” Yuma Symposium, Yuma, Arizona     
• Visiting Artist Talk and Presentation, Arizona Western College, Yuma, Arizona     
• Guest Lecture, Material & Culture Course, Washington University, St. Louis, Missouri     
• Artist Talk, Big Pharma, Weitman Gallery, Washington University, St. Louis, Missouri
• 2019
• Artist Talk: Artists in Conversation: Roderick Whetstone and Abbey Hepner, Southern Illinois University Edwardsville Art Gallery, Edwardsville, Illinois
• Artist Presentation: “Optogenetic Cybernetic Translations,” Communities, Collaborations and Collectives, Society for Photographic Education Midwest Conference, Milwaukee, Wisconsin        
• Panel: “Pink Champagne,” After-Screening Film Panel, University of Colorado, Colorado Springs        
• Juror’s talk: “Collective Voices,” Modella Gallery, Stillwater, Oklahoma
• Artist Talk: Time: UCCS Faculty Exhibition, Galleries of Contemporary Art, Colorado Springs, Colorado
• 2018
• Session Chair and Presenter: “Finding Support in an Arts Funding Crisis,” College Art Association, 106^th Annual Conference, Los Angeles, California
• Speaker: “Alternative Careers in The Arts,” College Art Association, 106^th Annual Conference, Los Angeles, California        
• Artist Presentation: Banff Centre for Arts and Creativity, Banff, Canada
• Artist Panel Speaker: “Artists in Action.”  Manitou Arts Center, Manitou Springs, ColoradoArtist Talk: “Art and Technology.” Colorado College, Colorado Springs, Colorado
• Juror’s Talk: “Addressing Power.” CFA Downtown Gallery, Albuquerque, New Mexico
• 2017
• Roundtable Facilitator: “Art and Science.” Tahoe CoLab: Creativity, Community, and Collaboration, Society for Photographic Education West and Southwest Conference, Tahoe City, California
• Artist Panel Speaker: “Abbey Hepner, Jessamyn Lovell, and Cara Romero.” moderated by Kate Ware, curator of the New Mexico Museum of Art, David Richard Gallery, Santa Fe, New Mexico
• Artist Talk: Colorado Photographic Arts Center, Denver, Colorado
• Artist Presentation with Collaborator Scientist Mike Avery from the Salk Institute for Biology at UCSD: “Extra-Ordinary Collusion Art and Science Collaboration.” Park 6, San Diego, California
• Lecture: ”Insider/Outsider: Photographing The Other.” Society for Photographic Education 54^th International Conference: Family Values, Orlando, Florida (paper presentation)
• 2016 
• Artist Presentation: “Transuranic.” Galleries of Contemporary Art, Colorado Springs, Colorado
• Artist Presentation: “Material Impact, Discussion on Photography and Nuclear Energy.” Newspace Center for Photography, Portland, OregonArtist Presentation: “Evocative Objects” Center for The Arts, UNM, Albuquerque, New Mexico        
• Artist Presentation: “Transuranic.” Society for Photographic Education 53^rd National Conference: Constructed Realities, Las Vegas, Nevada
• Forum/Panel Speaker: “SPE Industry and Educator Forum.” Student Issues, Society for Photographic Education 53^rd National Conference: Constructed Realities, Las Vegas, Nevada
• Artist Presentation: “Caretaker Robots.” Meeting of The Minds, UNM Art Museum, Albuquerque, New Mexico
• 2015
• Artist Presentation: “Nuclear Illuminations.” International Symposium on Electronic Art (ISEA), Vancouver, Canada        
• Artist Talk: “Control Room.” Central Features, Albuquerque, New Mexico
• Artist Presentation: “Living Light: Bioluminescence.” Science and Sustainability Adult Night at Explora Science Museum, Albuquerque, New Mexico        
• Artist Presentation: “Transuranic.” Meeting of The Minds, UNM Art Museum, Albuquerque, New Mexico        
• Artist Presentation: SITE Santa Fe, Santa Fe, New Mexico
• 2014
• Artist Presentation: “Temporary Container.” Society for Photographic Education Southwest Annual Conference: A Collective Vision, Salt Lake Community College, Salt Lake City, Utah
• 2013 
• Photo Essay Presentation: “Temporary Container.” Best Student Essays, University of New Mexico, Albuquerque, New Mexico
• 2012
• Artist Presentation: Headlands Center for The Arts, Sausalito, California        
• Artist Presentation: Anderson Ranch Arts Center, Snowmass Village, ColoradoArtist Presentation: “Scars on The Landscape.” Büro Für Bestimmte Dinge, Berlin, Germany